Tuning the high D-string to E and capoing at the fifth fret gives you the exact tuning of the Renaissance guitar: GCEA, though we have the added advantage of the fifth string (g) which we can use for some cool "melodic banjo" type licks, of which there's several on page 2.
A bransle
(pronounced something like /braunl/)
was a dance - think of our word "brawl" to which it's related - and as such, there seems to be a clave of sorts. For instance here's what seems to be going on rhythmically in the first section:
From measure 9 on however, we have four sections of six bars each, which I map out this way:
As the word bransle referred to a dance, not a fight, one might imagine something on the lively side
though the tempo marking is admittedly a guess.
And this is one of those dance-based
pieces that you can imagine actually having been played for dancers, though I
doubt the guitar of the era could be heard from too far away. And at a party?
Forget it. Still, while you want to play with dynamics and expression, I think
it's a good idea to play this as if you're also trying to "feed your dance
floor."
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