There's nothing much new about another bunch of arpeggios though maybe the second set with blue notes might be a new way of looking at it. The main thing for me is the order, which seems to work better for retaining the info than doing them in the time-honored cycles of 5ths or 4ths (as I've always done on 4-string bass). This"scale-wise" way of doing arpeggios and scales achieves the same end of going through a set number of fingering patterns in some order that I can cycle through all the positions on the neck. Doing it this way seems to aid my retention better on guitar and 6-string bass, I don't know why.
These can be hard to print off this page clearly, so anyone who's interested in these may feel free to e me, and I'll be happy to email you the Jpegs.
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